FASCINATION ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes yearning romantics, using this difference: Buster would seem a plausible mate, and the Tramp barely appears to possess a libido, only idealized notions. If their comedies had been made in a more liberated time, it can be done to imagine Keaton in bed with a woman, but disquieting to consider the Tramp like a sexual becoming.They